Bhandaputra-vadhodhyuktha-bala-vikrama-nandhita   1 comment

Sri Matre Namaha

Bhandaputra-vadhodhyuktha-bala-vikrama-nandhita – The Seventy Fourth name in Lalitha Sahasranamam.

Bhandaputravadhodhyuktabalavikramanandita

bhandasurasya putranam vadhe udyuktayah balayah vikramena nandita

She is delighted in the Valor of Bala (who was) ready to slay the sons of Bhanda

There were thirty sons of Bhandasura, viz., chaturbahu to Upamaya. Bala, nine year old daughter of the Goddess, slayed all the sons of Bhandasura

Bala is the daughter of Lalitha and nine years old. Bhandasura had 30 sons. In spite of Lalitha advising her daughter not to go to the battle field, Bala prevailed upon her mother and waged a war against all the 30 sons of Bhandasura and destroyed them. In Sri Vidya cult, the first initiation is always the mantra of Bala. If one attains siddhi in Bala mantra, he can attain super natural powers by using certain rare herbs. Certain herbs have divine qualities and will confer certain powers to a person provided one has attained siddhi in Bala mantra. Bala is the anga devata of Lalithambigai. Lalitha, Mantrini and Varahi have anga devis, upanga devi sand pratyanga devis. Annapurna devi is the upanga devi and Ashvaruda devi is the pratynaga devi of Lalithambigai. The sons of Bhadasura represent the 30 tatwas. Unless we cross these tatwas, realization cannot take place. A small effort (referring to Bala) from us will destroy the evil effects of the tatwas. Bala also refers strength.

She rejoices in the valour of Bala who slays the sons of Bhanda.

Here the reference is to Bala, a goddess of nine years old who slayed the thirty sons of Bhandasura.

The thirty sons of Bhandasura are the impurities (mala) whom the devi Bala helps slay.

It becomes imperative here to talk about Balambika whom I rever and who is by herself the soul energy of this universe.Jyoti (Balambika) is a member of the Shiva family. She is a part of the eternal godhead. When Shiva (static consciousness) united with Shakti (kinetic energy) Ganesha (sound) and Skanda (light) were born. Jyoti (‘spark of light’) was also born out of this union. She represents the female principle of light since she is active in creation, while Skanda represents the male principle of light. She is predominantly made of light like Skanda and may be considered as Skanda’s sister.

The human body is a temple. The breath through the right and left nostrils constitutes Shiva and Shakti. Lord Ganesha resides at the base of the spine from which Jyoti, or the Kundalini force, rises through the five chakras (Muladhara, Manipuraka, Swadhistana, Anahata, Visudhi, and Ajna chakra), or the six ‘battle houses’ of Lord Skanda. When the Kundalini Shakti travels up the spine and reaches the Ajna chakra in the forehead, the merger with Shakti residing there represents the confluence of the power of the Mother, being given to and becoming part of the son. The battle between the higher self and the lower self rages in the six cakras, or the battle houses of Lord Skanda. After winning the battles, Jyoti reaches her mother in the sixth battle house of Skanda, known as Ajna Chakra.

Skanda Purana tells us that Skanda was born after intense tapas of six sparks from Shiva’s forehead. That is why Skanda is considered by many to be not only the quintessence, but an improved version of Shiva. On the other hand Jyoti was born of one spark from the mother’s forehead. When the divine child Skanda was entrusted with the mission to quell Surapadman, who embodied the demonic forces of the day, Mother fashioned out of herself a Vel and presented it to Skanda as an invisible weapon. The revelation now is that it is not an instrument but a deity in its own right.

Until recently, the antecedents of Jyoti had not been very clear. In August 1978, the knowledge that it is none other than the Vel in the hands of Lord Skanda was imparted to the author by His Holiness Sri La Sri Pandrimalai Swamigal. Jyoti in her arupa or formless state is worshipped in all temples where Skanda is worshipped. Jyoti from now on also desires to be worshipped in the rupa form.

The Velis Jyoti, the younger sister of Lord Skanda. She is Shakti Vel not only because Shakti gave it to Skanda but also because it is an energised weapon. The Vel has all the energy and the dynamism of Shakti. It has also been praised as Ratna Vel since she sparks like the precious stone ratna. She is called Jñana Vel as she removes darkness and ignorance and provides the Jñana, or true Wisdom. She has blazoned the trail ofjñana travelled by sages, siddhas and those who are spiritually advanced. Since jñanaalways wins, she is called vetri or victorious Vel. Jyoti assists Lord Skanda in helping devotees to win their internal battles and to achieve spiritual progress leading to the liberation and merger in the godhead. The Vel is arupa or the formless. Since it is made of fire it cannot be broken down or defeated.

Jyoti has always been inseparable from Lord Skanda. There is no temple for Skanda without the worship of Jyoti in the form of Vel. Jyoti is also known as Saravanabavayai to indicate that she is always intertwined with Saravana or Skanda, and acts for him. In her formless arupa form of the Vel, she has a spearhead which is intelligence and consciousness and a slender rod or stem enabling her to move with speed. Jyoti takes after her mother in the form of Durga to punish the evil forces as well as to build and protect a just world order where love and brotherhood are developed.

Jyoti presides herself over one of the six houses Lord Skanda namely Palamutircolai which corresponds to the Ajna Cakra. This house is situated near Madurai. Here Jyoti is also worshipped as Rakkayi particularly on the full moon days. Rakkayi’s form in rural areas is mainly a head with a face of fire, again reconfirming the form of a Vel with a head and slender form.

The close association of Vel with her mother is the subject of Shodasam, a major devotional composition by the sage Agastya. For each day of the waxing and waning of moon he discovers and describes the role of the mother Manonmani (seen along with Shiva in the form of Chokkanathar in one of the principal sanctums in Madurai Meenakshi temple), consort of Shiva in the form of Sadasiva, and daughter Jyoti who are together in the Ajna cakra in our foreheads. The sage also recounts that how Jyoti was born of the Pranava pillar of ‘Om’. He calls her the young damsel who lives in the centre of the eyebrows. All life is Jyoti. She pervades in all the galaxies and is a growing flame. She is totality and Parabrahman and is in her fullness on Pournami, full moon days.

A great Jyoti centre is Tiruvannamalai, a town that exemplifies the fire element of Shiva. At this great Shiva centre Jyoti is worshipped as she is made of fire, and there is a Jyoti festival every year during the month of Karttikai of the Tamil calendar. Jyoti is called hereArul Perum Jyoti, or the graceful and great Jyoti. Shiva as Nataraja, in his cosmic dance carries Jyoti in his left hand as fire. Jyoti lives with Nataraja in the golden stage, or what is called Ponnambalam. All creation is from Jyoti or fire. Jyoti becomes active from then on.

Jyoti is also a representation or embodiment of divine light and love accessible to us on the Earth plane. Jyoti governs our words. Jyoti is the burning light in the lamps in all temples. We invite these lamps to come into our heats. Jyoti is said to be enveloped by seven screens. It is only after all the screens are removed she appears in all her radiance. A great exponent of Jyoti who merged with her in recent times was Ramalinga Swamigal.

In addition Jyoti in her association with her mother in the form of Kanyakumari has been the protector, custodian and teacher of the great sages and siddhas. She has been worshipped as Jwalai Kumari and in the North India as Jwalamukhi for centuries. She is also called Jñanambal or Balambika meaning goddess of knowledge or child goddess. Siddha literature is abound with poems lauding the vibrant Jyoti. Jyoti iSs the female principle of Shanmukha and is known as Shanmukhi. She is also addressed as Kaartikeyi and Kumari.

Jyoti Mantras

Om Jaya Jaya Maha Veera Bhagavan Sri Skanda Namo Namaha

Om Jaya Jaya Maha Jyoti Shakti Saravanabhavayai Namo Namaha

In his instructions, Skanda explained that these mantras, when said in devotion, harmonise the Shiva Shakti, or Ying-Yang energy within each person.

The Vel, Skanda says ‘ is symbolic of the spine, at the top of which is the head, inside of which flows Jyoti-Light, or the arisen Kundalini.’ Those who wants God realisation should begin at the bottom of the spine, coccyx. ‘ I am the Strength and Force who guides the kundalini from the bottom to the top of the spine’. When the kundalini rose and finally burst forth, the Goddess Jyoti appeared.

First see the Jyoti as the face in the Vel, then the whole Goddess explodes as the power rises, and She will stand in Her glory. Bliss is felt, the blessing then overflows to the Earth, helping to raise the consciousness of the humanity. All this happens within, but is symbolised without as the Vel of Skanda.

“I am the Leader, the General, who guides these forces up the spine. You who earn for liberation, look to me, follow my words, and victory will be yours. Turn away from the orders of the general during battle, and defeat is the result. When there is war, the army must listen to general.”

Jyoti has been dormant for aeons and the time has come for her revival. In the New Shakti Age She will be destroying the evil in the Kaliyuga. Two more mantras describing Her bring out this fact.

Om Shreem Adi Brahmeswariyai Namaha

Om Shreem Hreem Kreem Kleem Jyotiswariyayai Namaha

The first mantra calls Her the creator and the next one finds in her radiance and luminosity the attributes of bountifulness of Mahalakshmi, Goddess of material and spiritual wealth, Bhuvaneswari, representing all the revolving planets and worlds: Durga, the ruler and the eternal mother. Jyoti is described by Agastya as graceful Jyoti, Ananda (blissful or supremely happy) Jyoti, and Arupa (formless ) Jyoti.

Worship of Jyoti

Worship of Jyoti can be done internally through the practice of Kundalini Yoga. As the great Tirumoolar has said

” North, South men wander about seeking him East and West celestials go about looking for him but fix divine mantra ( AUM ) to Muladhara and rouse (kundalini) fire upward to stream. There shall you as radiant light be.”

Jyoti is to be worshipped on the day of the full moon, especially in the evening and at night time. Jyoti in her form as Saravanabhavayai or Vel is to be worshipped with her brother on all days honouring Him. Thus Karttikai days are special. The most important day for worship of Jyoti or Saravanabhavayai is the day of her birth when the Universal Mother fashioned the spark born in her forehead in to Veland gave it to her young son on the eve of the battle with Surapadman. This is the day of Visaka Nakshatra in the month of May.

Sage Kapila opened his third eye on the 60,000 sons of King Sagara who tormented the sage. By the outpouring of the flames they were destroyed to ashes. The local inhabitants prayed the fire and it got submerged in to the Pacific Ocean.

So Devi has a special place for balambika and entrusts her with the job of slaying the bandasuras sons and such is her strength that balambika is the vital force of mankind.

Previous Seventy Third Name Nitya-parakramatopa-nirikshana-samutsuka

Next Seventy Fifth Name Mantrinyamba-viracita-vishangavadha-toshita

Posted February 1, 2012 by UdayaBhaaskarBulusu

One response to “Bhandaputra-vadhodhyuktha-bala-vikrama-nandhita

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